Sunday, 1 December 2013

Artem Smooth

It's musical week, what we like to call the least-worst of the theme weeks! Because y'know, musicals actually have something to do with dancing. What a novel idea. But it also means more props and comedy outfits, it could go either way. Plus we get a decent old-school opening number with cute outfits and jazz hands galore.

Patrick and Anya

Well that just might be the biggest prop of them all, remember when we spoke of the ridiculousness of flying cars on DWTS Italy etc? You're now living it! Thankfully, they got out of the car and then proceeded to do a normal Charleston and didn't mess around with toot sweets or butterfly nets. There were Charleston faces that weren't gurning, which is becoming increasingly hard, there was swivel and cute outfits. Even though 10s was going a bit far we're doing better than last week already!

Let me just say that I think we were likely to love anything this week after the horrendous hoard of horse poo that was last week's show. And charlestons? Meh. But perhaps because I hadn't eaten since 11am, or perhaps because I was just so desperate to see something good, I did quite love this. Marvellous swivel. Superb timing and synchronisation. It was just a jolly delight. 

Natalie and Artem

Natalie looks stunning, best outfit in weeks, thank goodness for that. Artem's suit on the other hand looks like it's had an accident at the craft table. This was your typical Artem American Smooth, which means he's just choreographed a random stunning dance rather than an actual AS. I normally get arsey about that, but I loved this anyway. Natalie's hair was so emotional it just had to escape!

I love Natalie's dancing and I think we are far beyond cries of ringer. Tom Chambers anyone. But as Frankie said, this was not an American Smooth (though let's be honest, no one really knows what that is these days...), this was an Artem Smooth. Incredibly beautiful. Balletic. Swooshy arms. Synchronised. But it in no way, shape or form, was it a ballroom dance. Artem, you lovely, delightful, sparkly blueberry. Put aside your artistic tendencies and don't risk Natalie's place in the competition. 

Mark and Iveta

I love Iveta, she pulls off a spangly outfit from Cats and then brings us a delightful samba to the Lion King. How Mark managed to bounce with those knees I do not know, but he was better than plenty of able-bodied people in the samba this series!

Iveta. You are amazing. I don't even care about the frivolous nature of the themeage with this couple because it just works. It's so Mark's character. He even plays a straight dance with a dash of comedy. To do otherwise would just. be. wrong. I have been on the lookout for a new favourite female pro since Karen Hardy left, and I think Iveta may just have filled the gap. And Mark, I suspect your time is up this week, but we will miss you. 

Sophie and Brendan

They are trying to turn Sophie into a scary Victorian doll, aren't they? Props-tastic opening but then again a choreography-full VW that was totally delightful. Forward turns and reverse turns, that's what it's supposed to be about. I don't blame her for looking dizzy at the end, I was expecting them to walk straight into the judges desk at the end!

Artem, take note. Do this. Brendan's choreography was beautiful and they were about the only couple to dance the dance they were supposed to. Even with gimmicks, on a theme week, Brendan was straight into hold and it was just delightful. He is the most experienced professional on the show (tied with Anton...but really??) and it is really showing this year. Sophie and Brendan got all my five votes this week and I'm not afraid to say it. So ner. 

Abbey and Aljaz

This was the one dance I thought was going to suffer because of the theme. Abbey actually looks like Carrie in SATC series two and is totally pulling it off. I would say this was very good, one of her best latins, but even I know it wasn't salsa! Saying that, Abbey seems to just be able to do whatever choreography you give her and that is the sign of a great dancer. The human props can sod off, Abbey was doing the arms better than them. The lifts were a bit hairy though. The 40 was surprise, but whatcha gonna do....

Love Abbey but this was not salsa. 

Ashley and Ola

Ola's outfit would actually be very nice if it wasn't for the wig, Ashley's outfit is not nice. This was a very good rumba actually, nice lines and fluidity, slightly spoiled by the fact they looked like they were on the way to a fancy dress party. Ashley is getting better, but somehow he's often under the radar. Maybe now Ben has gone he might just emerge...preferably not on a flying carpet.

Pretty fly for a guy. Fly. Geddit? He was on a flying carpet? Blokes usually pants at rumba? Speaking of pants, I think Ola ripped hers. 

Susanna and Kevin

Delightful song choice for musicals week, it didn't need any gimmicks with a choice as perfect as that. I had high, high hopes for this and nearly had a little cry when she went wrong a couple of times. She recovered pretty well and the piece on the stairs was delightful. Bruno's whaaaaaaaaat at Craig's 7 was shared around the nation.

Oh Susanna! I did cry for you. This was supposed to be the pinnacle of the show. A fantastic song choice, and difficult choreography, but in the end, those little tootsies got in a pickle and you didn't quite keep up. Her 'eyes and teeth' recovery would have made Pamela Stephenson proud. 

1 comment:

Anonymous said...

A samba, a salsa and a rumba and not a single Latin tune in sight! Fine have a theme but at least try to shoe horn the theme into the right dance music and not sacrifice the music to the love of a theme please!!!